Caitlin Franzmann is a Brisbane-based artist. She creates architectural interventions and participatory installations to encourage slowness, curiosity and social interaction.
Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument builder, installation artist and educator. He is interested in finding fresh ways of presenting and making music.
Tintin Wulia lives in Brisbane, Australia, and works internationally. Her works investigate the geopolitical borders that segregate our globalising world, informed by interdisciplinary research in art and critical geopolitics (PhD in Art, RMIT University 2014).
Peter Blamey is a Sydney-based artist. His practice largely revolves around what might be called ‘open electronics’ and explores connectivity, variability and re-use, and also ideas of electricity, history, ecology and experimentalism in a more general sense.
Michael Candy is an emerging new media/kinetic artist with a specific interest in mimesis, technological archetypes and the discourse that exists within these contemporary parallels.
Pia Van Gelder is a Sydney based electronic media artist/facilitator/teacher at Sydney’s College of Fine Arts. She is a director at the Hybrid ARI Serial Space and the Overlord of Dorkbot (Sydney) - a community of “people doing strange things with electricity”.
Dylan Martorell is an artist and musician who’s work is influenced by the natural world, human rituals, ethnography and mythology. Music and sound, from field recordings to ritualized performances, play a major part in his multidisciplinary practice.
Rod Cooper’s first explorations into music and instrument building started while studying sculpture between 1985-1988 at Victoria College, Prahran. The noisy environment of metal workshops with the sounds of construction was where he realized the potential of sculpture to become musical.