COLLABORATION IN SOUND BY INDONESIAN AND AUSTRALIAN ARTISTS

NGV Studio, The Ian Potter Centre: NGV Australia at Federation Square from the 1-23 November 2014
Australia

Caitlin Franzmann

Caitlin Franzmann
Caitlin Franzmann is a Brisbane-based artist. She creates architectural interventions and participatory installations to encourage slowness, curiosity and social interaction.

Dale Gorfinkel

Dale Gorfinkel
Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument builder, installation artist and educator. He is interested in finding fresh ways of presenting and making music.

Tintin Wulia

Tintin Wulia
Tintin Wulia lives in Brisbane, Australia, and works internationally. Her works investigate the geopolitical borders that segregate our globalising world, informed by interdisciplinary research in art and critical geopolitics (PhD in Art, RMIT University 2014).

Peter Blamey

Peter Blamey
Peter Blamey is a Sydney-based artist. His practice largely revolves around what might be called ‘open electronics’ and explores connectivity, variability and re-use, and also ideas of electricity, history, ecology and experimentalism in a more general sense.

Michael Candy

Michael Candy
Michael Candy is an emerging new media/kinetic artist with a specific interest in mimesis, technological archetypes and the discourse that exists within these contemporary parallels.

Pia Van Gelder

Pia Van Gelder
Pia Van Gelder is a Sydney based electronic media artist/facilitator/teacher at Sydney’s College of Fine Arts. She is a director at the Hybrid ARI Serial Space and the Overlord of Dorkbot (Sydney) - a community of “people doing strange things with electricity”.

Dylan Martorell

Dylan Martorell
Dylan Martorell is an artist and musician who’s work is influenced by the natural world, human rituals, ethnography and mythology. Music and sound, from field recordings to ritualized performances, play a major part in his multidisciplinary practice.

Rod Cooper

Rod Cooper
Rod Cooper’s first explorations into music and instrument building started while studying sculpture between 1985-1988 at Victoria College, Prahran. The noisy environment of metal workshops with the sounds of construction was where he realized the potential of sculpture to become musical.